Samson et Dalila is one of the 5 greatest works of French opera literature. Three immortal arias for mezzo-soprano, the overwhelming Bacchanale, an attractive tenor role and the great choirs leave lasting impressions. The second act shows the greatest emotions and passions.
Read Interesting facts and hear great YouTube Videos about Saint-Saens’ famous aria “MON COEUR S’OUVRE A TA VOIX“.
La forza del destino is one of three Spanish operas (Don Carlo, Forza del destino, Il Trovatore) by Verdi, all of which enter the heroic-historical world of the grand opéra. It can justifiably be counted among the great works of Verdi. The many magnificent duets between Alvaro and Caro, the religious scenes of Leonora and the colourful supporting roles of Preziosilla, Guardiano and Fra Melitone characterise this opera. Verdi’s musical themes are grandiose and he uses them as leitmotifs throughout the opera for the first time.
Read Interesting facts and hear great YouTube Videos about famous Aria “PACE, PACE, MIO DIO“.
With “Porgy and Bess” Gershwin reached the peak of his career. With this composition he has succeeded in creating a work of international standing, one of the great folk operas in history. The performance of this opera involves great difficulties, which is why the work is seldom heard. The power and authenticity of this opera has prompted all the jazz greats of the last century to cover many songs.
Read Interesting facts and hear great YouTube Videos about the famous Aria “SUMMERTIME“.
With Boris Godunov, Mussorgsky wrote a unique opera, a monolith of opera history. The most Russian of all operas inspires with great music and most fascinating scenes. Many of his musical ideas became decades later the inspiration for a new generation of artists.
With the leading role of Simon Boccanegra, Verdi has written a grandiose role portrait. The somewhat convoluted plot offered the composer room for great scenes. Like Macbeth, Simon Boccanegra is undoubtedly a masterpiece, but nevertheless remains an opera for the connoisseur.
Few operas can evoke such storms of applause at the end of a performance as Elektra. Its music and its leading role is unique in opera literature, and Strauss, the great tone painter, was able to go to the limits of his time with this music.
“La fille de régiment” is a firework of voices and calls for two great interpreters of the leading roles. The female lead role of Marie requires a great voice with that of an extraordinary theatrical personality, and the male lead requires the tenoral tour de force of the 9 high C’s of “Pour mon ame”.
